Saturday, May 11, 2024

Shroud of Turin News, June - December 2022

© Stephen E. Jones[1]

[Previous: May 2022] [Next: To be advised]

This is the second installment of my resumed Shroud of Turin News from June 2022. I have a lot less time now than I had in 2022, as I am now almost every day writing my book,"Shroud of Turin: Burial Sheet of Jesus!" (see 06Jul17, 03Jun18, 04Apr22, 13Jul22 & 8 Nov 22). However, I need to keep up-to-date with Shroud news articles for my book. So I will now only post the bare minimum of each important Shroud news article and briefly comment on it. Emphases are mine unless otherwise indicated. My words are bold to distinguish them from the articles'.


Lanser, R., 2022, "Further Ruminations on the Shroud of Turin," Associates for Biblical Research, 5 June. A recent episode of ABR's Digging for Truth program presented an interview with John Long, [Right (enlarge)] who has been researching the Shroud of Turin for the past 40 years. He presented an overview of features seen in its mysterious image, showing how they are consistent with Scripture's description of the agonies Christ endured in the crucifixion. Such details as blood stains corresponding to a crown of thorns, angled streams of blood on the arms that accurately reflect how gravity would have affected their flow, dumbbell-shaped pockmarks front and back that match those on Roman lead-tipped whips, no indication of broken legs, wounds in the wrists rather than the palms, and a spear wound in the side were discussed. The blood stains on the fabric are genuine human blood, type AB. No known mechanism can explain how the image could have been made by the hand of man. Taken together, these factors argue strongly that the Shroud covered the crucified body of Christ Indeed! ... Turning now to exegetical matters ... In the gospel of John chapter 20 verses six and seven we see specifically that John talks about how Peter entered the tomb and that "he saw the linen cloths lying there" — vs 6, and then in vs 7 it says "and the handkerchief that had been around his head not lying with the linen cloths, but folded together in a place by itself." Now from what I've seen of the shroud and any research that's been done, to this point ... the shroud is one piece including the head. That does not match up with the scripture. Scripture clearly states that the linen cloth was folded together in a place by itself. It doesn't. It says "the face cloth" (soudarion) was "rolled up in one place by itself." (Jn 20:7). I do not believe that the shroud is real, simply because it does not match up with scripture. First, as I have posted previously (e.g. 11Jul12 & 08May18), this commits an error of logic, that if there were two (or more) cloths in the empty tomb, one of them cannot be the Shroud! Second, it assumes that the Shroud (sindon) was in the empty tomb, when none of the Gospels says it was. As Beecher rightly pointed out, "After the resurrection there is no mention of the Sindon as having been found in the tomb":
"The three Synoptic Evangelists, Saints Matthew, Mark and Luke, tell us that Joseph of Arimathea wrapped the body of Our Lord in a Sindon (Matt. xxvii. 59; Mark xv. 46; Luke xxiii. 53). The Sindon was a large white linen sheet that covered the entire body. The Evangelists carefully distinguish between it and the sudarium (napkin), which latter was in shape and size like a handkerchief, and was used for the head. In addition, as we know from St. John (xix. 40), linen cloths (ta othonia) were used, with spices, according to Jewish custom. After the resurrection there is no mention of the Sindon as having been found in the tomb. St. John tells us that Peter `saw the linen cloths lying, and the napkin that had been about his head, not lying with the linen cloths, but apart, wrapped up into one place' (xx. 6,7). And St. Luke tells us that `Peter rising up, ran to the sepulchre, and stooping down, he saw the linen cloths laid by themselves' (xxiv. 12)"[BP28, 16].
Likewise Bulst:
"Most interpreters of Scripture, Catholic and non-Catholic, take the Sindon of the Synoptics as a large cloth and distinguish it from the cloths mentioned by John: the Othonia, taken to be bandages, and the Sweat Cloth … The most serious difficulty in this interpretation is that John makes no mention at all of the Sindon, the largest of the cloths and the one here under discussion - neither at the burial of Lazarus or Jesus, nor at the discovery of the cloths on Easter morning. No satisfactory solution for this startling silence has as yet been proposed. His reticence cannot be accidental, for John puts great value on the different cloths and their arrangement in the tomb, especially in his account of their discovery on Easter morning ..."[BW57, 83-84]
The "satisfactory solution" for this "silence," which is not "startling," is that John 20:6-7 explicitly says that what Peter and John saw in the empty tomb was the othonia i.e. "strips of linen" (Jn 20:6) and the soudarion i.e. "face cloth" (Jn 20:7), not the sindon "Shroud". See my 06Nov14 that the sindon wasn't in the emtpy tomb because the resurrected Jesus took it with him, as Beecher concluded:
"But the fact that St. Luke does not now mention the Sindon, which had occupied his attention previously, but speaks of cloths [othonia] instead, would indicate that the Sindon was not in the tomb. And this is very significant in connection with what St. Jerome tells us, on the authority of the Gospel to the Hebrews (a work from which he often quotes), namely, that Our Lord kept His Sindon with Him when He arose from the dead"[BP28, 17].
"The Shroud of Turin defies its sceptics," William West, 12 July, 2022. Even though it failed a carbon-dating test 40 years ago, new findings suggest that the scientists were wrong ... In April 2022 new tests on the Shroud of Turin — believed by many to be the burial cloth of Jesus Christ — dated it to the first century. See below. This dating contradicted a 1980s carbon dating that suggested the Shroud was from the Middle Ages. Some people would have been surprised, but not anyone who had been following the build-up of evidence indicating the Shroud is authentic. A total of four tests have now dated the Shroud to the first century. It was already four (see 22May22b):

TestMax/MinRange
Vanillin150 BC ±8501000 BC-AD 700
FT-IR300 BC ±400700 BC-AD 100
Raman200 BC ± 500700 BC-AD 300
Mechanical400 AD ± 400AD 0 - AD 800

So all four tests yield a date range in which Jesus' death in AD 30 falls!

In addition, an immense body of other evidence suggests the cloth, which appears to carry an image of Jesus’s crucified body, is genuine ... Only days before the new dating results were announced, one of the main players in the drama, British filmmaker David Rolfe, issued a million-dollar challenge to the British Museum to replicate the Shroud.

[Above (enlarge): David Rolfe holds up a negative image of the face on the Turin Shroud. See 22May22a.]

The Museum oversaw the carbon tests on the Shroud and Rolfe explained: “They said it was knocked up by a medieval conman, and I say: ‘Well, if he could do it, you must be able to do it as well. And if you can, there’s a one-million-dollar donation for your funds.’” ... You would think if anyone could copy the Shroud, the British Museum could. It certainly has the resources: around a thousand employees, including research scientists, links to major universities — and I’m sure the museum would not refuse outside help. So, was Rolfe’s bet risky? Those familiar with the evidence would say no. Given all we now know about the Shroud of Turin, and the fact that no one has ever been able to copy it or even explain how it was made, Rolfe’s million dollars appears safe. A 22 February 2024 article in The Catholic Weekly said:

"After almost two years of no response from the British Museum, the challenge is being extended to the United States by the National Shroud of Turin Exhibit ..."!
The most recent verification of its authenticity came in April this year 2022. A member of Italy’s National Research Council, Dr Liberato de Caro, used a new X-ray technique designed specifically for dating linen. He used a method known as wide-angle X-ray scattering (WAXS), which he says is more reliable than carbon dating. See 22May22c:

"The first published paper from 2019 demonstrated the reliability of the new X-ray dating technique on a series of samples, taken from linen fabrics ranging in age from 3000 BC to 2000 AD (see black, red, green and blue curves in the figure below ... These curves show that the

[Above ( enlarge[PE22]): Wide-Angle X-ray Scattering (WAXS) curves. The green "2000 years" curve is from a linen sample recovered from the Jewish fortress Masada which was conquered by the Romans in AD 74 and never occupied again. The orange curve is from a Shroud sample. As can be seen, the Shroud sample's WAXS curve very closely matches that of the 1st century Masada sample!]

sample of the Shroud of Turin (orange curve in the picture) should be much older than the approximately seven centuries indicated by the radio-dating carried out in 1988." This makes it a total of five tests which have now dated the Shroud to the first century!



He said this was because carbon dating can be dramatically wrong due to contamination of the thing being dated… These days, if anyone asks me if I really think “that Shroud thing” could be Jesus’ burial cloth with his image on it, all I can say is: given the evidence, I can’t think what else it could be. I am open to being talked out of this view, but so far nobody has managed to do it. Whatever your own view, following the trail of evidence is possibly the most fascinating and rewarding journey you will ever undertake. This is partly because the case for the Shroud does not hinge on a single fact — certainly not on the radiocarbon date. It involves many interlocking facts — a big picture painted by intriguing details. My experience is that the Shroud asks more unanswerable questions than anything on the planet. Excerpted from Riddles of the Shroud with permission. William West William West is a Sydney journalist. …

To be continued in the third installment of this post.

Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
BP28. Beecher, P.A., 1928, "The Holy Shroud: Reply to the Rev. Herbert Thurston, S.J.," M.H. Gill & Son: Dublin.
BW57. Bulst, W., 1957, "The Shroud of Turin," McKenna, S. & Galvin, J.J., transl., Bruce Publishing Co: Milwaukee WI.
PE22. Pentin, E., 2022, "New Scientific Technique Dates Shroud of Turin to Around the Time of Christ's Death and Resurrection," National Catholic Register, 19 April.

Posted 11 May 2024. Updated 13 May 2024.

Friday, May 10, 2024

Topic index "X": The Shroud of Turin blog

TOPIC INDEX "X"
Copyright © Stephen E. Jones[1]

I have reluctantly decided to abandon this Topic Index series. It is taking up too much of my scarce time and most of the entries are unimportant.

This is "Topic index `X'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Right: Upper (enlarge). Extract of a 1931 Shroud negative photograph (flipped horizontally for comparison with the postive below), by professional photographer Giuseppe Enrie (1886-1961), showing x-ray images of the Shroud man's under-the-skin hand bones[LM10a]. Lower (enlarge): Extract of a 2002 positive Shroud photograph by another professional photo-grapher, Gian Carlo Durante, also showing x-ray images of the Shroud man's under-the-skin hand bones[LM10b].

These photos are from a future "Xray 10Dec15."

A medieval forger would not know about x-rays as they were discovered in 1895[XRW] by Wilhelm Röntgen (1900-23)[WRW], let alone depict them! Sceptics had claimed this as evidence that the Shroud was a forgery because "the hands and fingers [are] long and spidery"[DD84; SH88, 70]. But the claimed bug has turned out to be a feature! What we are seeing is "the finger bones ... visible well into the palm of the hands ... the internal skeletal structure of the hand imaged through the intervening flesh tissues onto the Shroud cloth"[JJ91, 333]. The "bones of the hand seemed to be showing up as if under an X-ray"[WS00, 37].

Further evidence that the image on the Shroud is a "snapshot' of the Resurrection" of Jesus!:
"Even from the limited available information, a hypothetical glimpse of the power operating at the moment of creation of the Shroud's image may be ventured. In the darkness of the Jerusalem tomb the dead body of Jesus lay, unwashed, covered in blood, on a stone slab. Suddenly, there is a burst of mysterious power from it. In that instant the blood dematerializes, dissolved perhaps by the flash, while its image and that of the body becomes indelibly fused onto the cloth, preserving for posterity a literal `snapshot' of the Resurrection"[WI79, 251].
[Index] [Previous "W"] [Next "Y"]
X-ray 29Oct07, 01Dec07.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
DD84. Dutton, D., 1984, "Requiem for the Shroud of Turin," Michigan Quarterly Review 23, 243-55.
JJ91. Jackson, J.P., "An Unconventional Hypothesis to Explain all Image Characteristics Found on the Shroud Image," in Berard, A., ed., 1991, "History, Science, Theology and the Shroud," Symposium Proceedings, St. Louis Missouri, June 22-23, 1991, The Man in the Shroud Committee of Amarillo, Texas: Amarillo TX, 325-344.
LM10a. Extract from Latendresse, M., 2010, "Shroud Scope: Enrie Negative Vertical," (flipped horizontally), Sindonology.org.
LM10b. Extract from Latendresse, M., 2010, "Shroud Scope: Durante 2002 Vertical," Sindonology.org.
SH88. Sox, H.D., 1988, "The Shroud Unmasked: Uncovering the Greatest Forgery of All Time," Lamp Press: Basingstoke UK.
WRW. "Wilhelm Röntgen: Discovery of X-rays," Wikipedia, 8 April 2024.
XRW. "X-ray: Discovery by Röntgen," Wikipedia, 8 May 2024.
WS00. Wilson, I. & Schwortz, B., 2000, "The Turin Shroud: The Illustrated Evidence," Michael O'Mara Books: London.

Posted 10 May 2024. Updated 11 May 2024.

Thursday, May 9, 2024

Topic index "W": The Shroud of Turin blog

TOPIC INDEX "W"
Copyright © Stephen E. Jones[1]

This is "Topic index `W'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Right (enlarge): "Anatomy of the Shroud"[WK80, 737-738], showing that the wounds and bloodstains on the Shroud match the Gospels' accounts of Jesus' suffering and death.]

This photo is from "Wounds and bloodstains 25Jul07," except I have substituted a clearer version of it.

[Index] [Previous "V"] [Next "X"]


Walsh, J. 30Jun07, 06Jul07.
Whanger, A. 01Dec07; Polarized Image Overlay (see "P").
Wedgewood T. 08Jul07.
Whiting, B. 13Jul07.
Wilson, I. 27Jul07, 29Jul07, 11Aug07, 14Nov07.
Wounds and bloodstains 09Aug07.
Wuenschel, E. 25Jul07.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
WK80. Weaver, K.F., 1980, "Science Seeks to Solve ... The Mystery of the Shroud," National Geographic, Vol. 157, June, 730-753.

Posted 9 May 2024. Updated 10 May 2024.

Wednesday, May 8, 2024

Topic index "V": The Shroud of Turin blog

TOPIC INDEX "V"
Copyright © Stephen E. Jones[1]

This is "Topic index `V'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Above (enlarge): "The Vignon markings-how Byzantine artists created a living likeness from the Shroud image. (1) Transverse streak across forehead, (2) three-sided `square' between brows, (3) V shape at bridge of nose, (4) second V within marking 2, (5) raised right eyebrow, (6) accentuated left cheek, (7) accentuated right cheek, (8) enlarged left nostril, (9) accentuated line between nose and upper lip, (10) heavy line under lower lip, (11) hairless area between lower lip and beard, (12) forked beard, (13) transverse line across throat, (14) heavily accentuated owlish eyes, (15) two strands of hair"[WI78, 82E].]

This photo is from "Vignon markings 25Jul07," except I have substituted a larger version of it.

[Index] [Previous "U"] [Next "W"]


Vala, L. 21Jul07.
Vanillin 01Dec07.
Vertically collimated 08Jul07.
Vignon markings 25Jul07.
Vignon, Paul 25Jul07.
VP-8 Image Analyzer 08Aug07.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
WI78. Wilson, I., 1978, "The Turin Shroud," Book Club Associates: London.

Posted 8 May 2024. Updated 9 May 2024.

Tuesday, May 7, 2024

Topic index "U": The Shroud of Turin blog

TOPIC INDEX "U"
Copyright © Stephen E. Jones[1]

This is "Topic index `U'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Right enlarge: ENEA's Hercules-L XeCl excimer (ultraviolet) laser[EF00] "Italian scientists have conducted a series of advanced experiments which, they claim, show that the marks on the shroud – purportedly left by the imprint of Christ's body – could not possibly have been faked with technology that was available in the medieval period ... `The double image (front and back) of a scourged and crucified man, barely visible on the linen cloth of the Shroud of Turin, has many physical and chemical characteristics that are ... impossible to obtain in a laboratory,' concluded experts from Italy's National Agency for New Technologies, Energy and Sustainable Development [ENEA]. The scientists set out to `identify the physical and chemical processes capable of generating a colour similar to that of the image on the Shroud.' They concluded that the exact shade, texture and depth of the imprints on the cloth could only be produced with the aid of ultraviolet lasers – technology that was clearly not available in medieval times. The scientists used extremely brief pulses of ultraviolet light to replicate the kind of marks found on the burial cloth. They concluded that the iconic image of the bearded man must therefore have been created by `some form of electromagnetic energy (such as a flash of light at short wavelength).' ... Prof. Paolo Di Lazzaro, the head of the team, said: `When one talks about a flash of light being able to colour a piece of linen in the same way as the shroud, discussion inevitably touches on things like miracles and resurrection.' `But as scientists, we were concerned only with verifiable scientific processes.'" (my emphasis)[SN11.]

This photo is from a future "ultraviolet: 22Dec11."

[Index] [Previous "T"] [Next "V"]


Ultraviolet: Laser: 22Dec11.
Umberto II, of Savoy: Bequeathed Shroud to Pope in 1983: 08Oct09, 07Oct11.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
EF00. ENEA FIS-ACC Excimer Laboratory Annual Report 2000-2001 (no longer online).
SN11. Squires, N., 2011, "Italian study claims Turin Shroud is Christ's authentic burial robe," The Telegraph, 19 December.

Posted 7 May 2024. Updated 9 May 2024.

Monday, May 6, 2024

Topic index "T": The Shroud of Turin blog

TOPIC INDEX "T"
Copyright © Stephen E. Jones[1]

This is "Topic index `T'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Right enlarge[WI10, pl. 8a]: Three-dimension-ality of the Shroud image as revealed by the VP-8 Image Analyzer [SB97].]

This photo is from a future "Three-dimensional ... 08Dec09," except I have substituted a larger version of it.


[Index] [Previous "S"] [Next "U"]


Templars 29Oct07.
Templecombe 29-Oct-07.
Three-dimensional 21Jul07, 27Jul07.
Thurston, H. 25Jul07.
Tipler, F. 29Sep07.
Tite, M. 27Jul07.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
SB97. Schwortz, B., 1997, "The VP-8 Image Analyzer," Shroud.com, Updated 30 March 2014.
WI10. Wilson, I., 2010, "The Shroud: The 2000-Year-Old Mystery Solved," Bantam Press: London.

Posted 6 May 2024. Updated 9 May 2024.

Topic index "S": The Shroud of Turin blog

TOPIC INDEX "S"
Copyright © Stephen E. Jones[1]

This is "Topic index `S'" of my index to topics that I have posted to this my The Shroud of Turin blog. For information on this series, see "`A' and Index."

[Right (enlarge): The Shroud face, negative, sepia, by Giuseppe Enrie, 1931[VP39].]

This photo is from a future "Shroud of Turin: Face ... 07Apr15."]

[Index] [Previous "R"] [Next "T"]


Sandhurst, B. 25Jul07.
Savoy 06Jul07, 27Jul07.
Scavone, D. 04Dec07.
Scheele, C. 13Jul07.
Schulze, J. 13Jul07.
Schwortz, B. 29Jul07, 09Oct07.
Scorch 08Jul07, 21Jul07.
Serum 27Jul07.
Sherlock Holmes 08Jul07.
Shroud of Turin: Anatomy 09Aug07; Back (see "B"); Burial sheet 30Jun07; Face (see "F"); Man (see "M"); Faint 29Jul07; Names 02Nov07; What is? 30Oct07.
Shroud of Turin blog 30Jun07.
Shroud of Turin News 29Jul07, 29Sep07, 09Oct07, 29Oct07, 01Dec07, 02Jan08.
Shroud was the resurrection 29Sep07.
Silver salts 13Jul07.
Silent Witness 21Jul07.
Sox, D. 27Jul07.
Statue: Hot 21Jul07.
STURP 27Jul07, 29Jul07, 09Oct07.
Sudarium of Oviedo: Blood 08Aug07; History 08Aug07; Lung fluid 08Aug07; Pollen 08Aug07; Shroud 08Aug07.
Superficial 08Jul07, 21Jul07, 27Jul07.


Notes:
1. This post is copyright. I grant permission to extract or quote from any part of it (but not the whole post), provided the extract or quote includes a reference citing my name, its title, its date, and a hyperlink back to this page. [return]

Bibliography
VP39. Vignon, P., 1939, "Le Saint Suaire de Turin: Devant La Science, L'archéologie, L'histoire, L'iconographie, La Logique," Masson et Cie. Éditeurs: Paris, Second edition, pl. I.

Posted 5 May 2024. Updated 10 May 2024.